150 of 328 lots
150
[ENTERTAINMENT - MUSIC]. Jim Crow, the American Mountebank performing at the Grand Theatre. London: S.W. Fores, ca 1830s. [With:] The Old Folks at Home. Illustrated sheet music.
Estimate: $400-$600
Sold
$200
Live Auction
American Historical Ephemera and Photography, Featuring African Americana
Location
Cincinnati
Description

[ENTERTAINMENT - MUSIC]. Jim Crow, the American Mountebank performing at the Grand Theatre. London: S.W. Fores, ca 1830s. [With:] The Old Folks at Home. Illustrated sheet music.


Jim Crow, the American Mountebank performing at the Grand Theatre. London: S.W. Fores, ca 1830s. 10 x 13 1/2 in. lithograph (light soiling, verso with residue near corners, slightly trimmed along top edge). The lithograph depicts Thomas Rice wearing the costume of his character "Jim Crow," with his right arm raised and skipping a small dance step. The depiction is the same as that featured on a songsheet showing Rice as he performed at the Surrey Theatre in Southwark ca 1836-1837. British figures are shown in the background watching Rice perform, including the subject at far left who is believed to be John Scott, 1st Earl of Eldon.

Considered the "father of American minstrelsy," Thomas Dartmouth "Daddy" Rice (1808-1860) began his career as a traveling actor, creating his signature act of Jim Crow in 1832. His performances were typically part of a variety show or included between acts in a play. Rice's act included the song and dance "Jump Jim Crow," which would later lend its name to the "Jim Crow Laws" used by southern legislatures at the end of the 19th century.

[With:] The Old Folks at Home, Song and Chorus. London: Davidson, Peter's Hill, Doctors' Commons, South of St. Paul's, n.d. 4pp., 9 3/4 x 13 1/2 in. sheet music. Disbound and including music only for "The Old Folks at Home" (toned, chips and repaired tears to edges). Sheet music featuring cover illustration of an African American male subject.

This lot is located in Cincinnati.

Condition
Freeman's I Hindman strives to describe historic materials in a manner that is respectful to all communities, providing descriptive contexts for objects where possible. The nature of historical ephemera is such that some material may represent positions, language, values, and stereotypes that are not consistent with the current values and practices at Freeman's I Hindman.